Disappointment in love Summary
The shepherd Lysander spots Cloris in a verdant garden and is inflamed with an uncontrollable urge to act upon his unquenchable passion. The day is fading into night, thus removing the illumination Cloris needs to find a means of escape.
Realizing she is trapped in a thicket made for love from which escape is difficult, Cloris does not refuse his advances and permits his force upon her with willing submission.
This submission is not just to Lysander’s force, but also the force of her own passion. Almost immediately, however, she is conflicted. Her eyes express equal desire but also shame. She is moved to whisper protestations against Lysander’s continued physical domination. Asking him to cease, she asserts that she cannot sacrifice her honor, even to him.
Suggesting that her words are empty expressions of ideas not contained within her heart, Lysander responds by pressing on. He kisses her all over her body and fondles her breast. There will no cessation of this seduction.
Things are moving very swiftly now. And Cloris does not indicate that she still wants him to cease.
As they kiss, Cloris gives into the full measure of her desire for pleasure. She has slipped into an ecstatic erotic state, barely breathing and appearing almost lifeless.
The sight of the naked nymph lying there in such a state urges Lysander to complete the deed.
Lysander removes his clothes and tosses them to the side, his passion rising to a state of pleasure mixed with pain. Unable to withstand the agony of waiting, he throws himself onto the unmoving body of Cloris. Unfortunately, the strength of his desire is no longer matched by the strength of his ability to act upon that desire.
Unable to penetrate Cloris, Lysander takes things into his hand, desperate to call back to its former glory the state of his once-proud erection. The attempt fails, however.
Frustrated by his inability to regain his erection, the impulsivity of Lysander is demonstrated once again in a different way from the opening. Lysander slips into a state, not unlike the trance into which Cloris still remains. A state of despondent despair more suitable to the world ending, not the flow of blood away from the penis with no way to reverse the course.
As Lysander lapses, Cloris awakens back to the world around her. Her hand either goes to or accidentally falls upon Lysander’s crotch.
What she finds there causes her to draw her hand back. Limp, cold, and powerless. A snake in the garden, but dead and worthy of disdain. Mixed with disdain for that which she feels is a shame for that which she’s done. The combination results at least in the escape.
A lot of pretty poetic words are used to describe essentially the same thing: her escape from the thicket is fast and successful.
Left alone, disappointment, dejected and rejected, Lysander tries vainly to find some force to blame. He curses the gods, his fate, his family, and the stars before finally realizing there can be the only explanation for his inability to perform: the bewitched nymph whose charms have the power to damn him to impotent hell.
Disappointment in love Characters
Variously described sometimes as a shepherdess, nymph, and maid she is going to ultimately finish up being described as a bewitching shepherdess with charms capable of defeating even the foremost menacing of erections into something no more threatening than the soft petals of the prettiest flower. (The latter description comes courtesy of a person handling performance anxiety and should not be entirely appropriate.) what’s definitely known needless to say about Cloris is that she possesses a milky complexion and apparently unusually bright eyes capable of expression conflicted emotions like concupiscence and shame at feeling concupiscence.
Overly-impulsive shepherd with a significant case of the hots for the fair Cloris. he’s a young man not won’t too controlling desire, but more importantly is that the incontrovertible fact that he doesn’t share with Cloris the conflicted agony between choosing to indulge his passion or fight against it. Cloris’ honor is inextricably sure to her virginity, but any sense of honor that Lysander feels only comes into play as results of not having the ability to require her virginity by force instead of choosing whether he should or not. When he ultimately is found disappointing in his actual capability for using this force, he seeks to place blame on the gods, fate, and even a curse on his lineage before finally accepting that there must just one possible explanation: the girl is responsible. Girl? Well, a bewitching demon from hell, anyway.
Never mentioned or directly addressed, the unseen yet ever-present character of patriarchy is additionally a serious character her. The story has been told before, but always by putting Lysander and feelings at its center. Not only is Behn’s version about Cloris instead of Lysander, but she even cuts short the story before its traditional ending. In those versions written by men relating the narrative from a male perspective, Lysander’s failure to perform doesn’t end in such an abject loss of pride. Having failed once to realize his goal of claiming forever the innocence of Cloris, he merely waits for the inevitable recharging and re-inflating of his weapon of dominance and oppression. And, soon, enough, everything is iron out within the patriarchy once more.
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